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Kindertransport

Cast

Eva-Ellie Crowley
Helga-Kimberly Wieczner
Evelyn-Justine Lassar
Faith-Madeline Sharton
Lil-Alison Gifford
Ratcatcher-Maxwell Pava

Production Staff



Director: 
Max Lorn-Krause
Technical Director:  Mr. Ryan DuBray
Costume Supervisor: Ms. Martha Heller
Stage Manager: Mandy Katz
Costume Designer:  Valerie Coimbra
Scenic Designer:  Drew Silverman
Lighting Designer:  Jackie Wolozin
Sound Designer:  Gaul Porat
Asst. Sound Designer: Ben Chesler
Props Master:  Emma McAfee-Hahn
Master Carpenter:  Jackie Wolozin
Master Electrician:  Max Nathanson
Costume Assistants:  Allie Glickman, Lily Simon
Dressers: Valerie Coimbra, Allie Glickman, Maddy Schulman, Lily Simon
Light Board Operator:  Han Park
Sound Board Operator:  Jessica Johnstone
Set Construction and Lighting Crew: Sherri Ames, Ruthie Bolotin, Ben Chesler, Emily Conner-Simons, Alex Eby, Alexandra Lewis, Jacob Liverman, Gaul Porat, Drew Silverman, Albert Yu
Producer & Poster Design: Mr. Jeff Knoedler

Picture
A Brief History of Kindertransport
from The Kindertransport Association
kindertransport.org

           In response to the events of November 9 and 10, 1938, known as Kristallnacht ("Night of Broken Glass"), the British Jewish Refugee Committee appealed to members of Parliament. It was agreed to admit to England an unspecified number of children up to age 17. A 50 Pound Sterling bond had to be posted for each child "to assure their ultimate resettlement." The children were to travel in sealed trains. The first transport left barely one month after Kristallnacht; the last left on September 1, 1939—just two days before Great Britain's entry into the war, which marked the end of the program. By that time, approximately 10,000 children had made the trip.
           When the children arrived in England, some were taken in by foster families, some went to orphanages or group homes, and some worked on farms. They were distributed throughout Great Britain (England, Scotland, Wales, Northern Ireland). Many of the children were well-treated, developing close bonds with their British hosts; however, others were mistreated or abused. A number of the older children joined the British or Australian armed forces as soon as they reached 18, and joined the fight against the Nazis. Most of the children never saw their parents again.

Location

Thank you for your support!

South Stage does not receive a production budget from the school other than modest stipends for professional directors.
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Ticket sales, ad sales, and donations are the ONLY sources of funding for production supplies such as lights, lumber, tools, paint, props, costumes, make-up, wigs, sound equipment, and promotional materials. 

Contact Us

  • Home
  • Rehearsal Calendar
  • South Stage Tech
  • Parents Group Info
  • Frosh Play Info
  • Digital Performances
  • Donate
  • Archive
    • 2020-2021
    • 2019-2020
    • 2018-2019
    • 2017-2018
    • 2016-2017
    • 2015-2016
    • 2014-2015 Season
    • 2013 - 2014 Season
    • 2012-2013
    • 2011-2012
    • 2010-2011
    • 2009-2010 Season
    • 2008-2009 Season
    • 2007-2008 Season
  • Contact Us!